The Black Villa on the Peninsula.

At the southern tip of Sweden, on the Falsterbo peninsula, pine forest thins into sand and the light carries the sea in every direction. This is Höllviken, here, Linda and Aleks have built a black timber villa drawn by architect Klas Sjöstrand, a house designed not around how it should look, but around how a family actually lives.

At the southern tip of Sweden, on the Falsterbo peninsula, pine forest thins into sand and the light carries the sea in every direction. This is Höllviken, here, Linda and Aleks have built a black timber villa drawn by architect Klas Sjöstrand, a house designed not around how it should look, but around how a family actually lives.

Black timber villa in Höllviken with by Crea outdoor furniture along the deck: Arvid lounge chairs, Bazo sun loungers and cream parasols against the dark facade.

The black timber villa in Höllviken, its deck arranged as a series of outdoor rooms.

The black timber villa in Höllviken, its deck arranged as a series of outdoor rooms.

Designed from the inside out

Designed from the inside out

The plot came first, bought almost on impulse. Linda and Aleks began, as most do, with catalogue houses and turnkey solutions, and found themselves wanting to change nearly everything they saw. So they decided to draw their own. They met architect Klas Sjöstrand in September 2021. By February 2022, the building permit was submitted. In six months, they had worked out a house that felt entirely theirs.

The plot came first, bought almost on impulse. Linda and Aleks began, as most do, with catalogue houses and turnkey solutions, and found themselves wanting to change nearly everything they saw. So they decided to draw their own. They met architect Klas Sjöstrand in September 2021. By February 2022, the building permit was submitted. In six months, they had worked out a house that felt entirely theirs.

The first brief never mentioned facades or materials. Linda drew how the family would move through the house during an ordinary day. The laundry moved away from the kitchen to sit beside the bedroom and walk-in closet, where laundry actually begins. The kitchen gained a proper pantry instead. The dining area was given a lower ceiling than the living room. Meals should feel warm and intimate, while the living room keeps its volume, its fireplace, and its wall of glass toward the garden.

The first brief never mentioned facades or materials. Linda drew how the family would move through the house during an ordinary day. The laundry moved away from the kitchen to sit beside the bedroom and walk-in closet, where laundry actually begins. The kitchen gained a proper pantry instead. The dining area was given a lower ceiling than the living room. Meals should feel warm and intimate, while the living room keeps its volume, its fireplace, and its wall of glass toward the garden.

Diana outdoor dining table with a light Dekton top and black frame, paired with Signe teak dining chairs on a covered terrace.

Diana dining table with Signe chairs on the covered terrace.

Diana dining table with Signe chairs on the covered terrace.

Detail of the Bazo sun lounger with raised backrest and bolster cushion in beige bouclé, beside a teak slat table with a carafe and a bowl of peaches.

Bazo sun lounger. Shown in detail.

Bazo sun lounger. Shown in detail.

Algot garden coffee table in sunlight on a wooden deck beside an outdoor lounge chair, teak slat top holding a bowl of peaches

Algot lounge table in teak, warmed by the afternoon sun.

Algot lounge table in teak, warmed by the afternoon sun.

"The furniture is almost a natural continuation of the architecture. The outdoor spaces become rooms of their own."

- Linda

- Linda

The garden facade of the black timber villa in Höllviken, with the Arvid lounge group and Bazo sun loungers arranged as outdoor rooms along the deck.

The garden facade. The garden was never meant to begin outside the house.

The garden facade. The garden was never meant to begin outside the house.

The work that took the longest is the work you never see. In the bathrooms, every trim, tile joint and edge was turned over until the lines ran clean. The garden's irrigation was planned into the ground, so no hose ever crosses a path or a terrace. A laundry chute drops from the upper floor straight into the sorting room below, a small idea developed together with the architect that has become one of the most appreciated functions in the house. And the pantry, of all rooms, proved the hardest to resolve: a limited footprint that demanded countless hours, and was not truly finished until 2026.


The large glazed openings were a starting point, never an afterthought. The garden was not meant to begin outside the house. Nature should be present from the sofa and the dining table, and the shifting seasons allowed to become part of the home.

The work that took the longest is the work you never see. In the bathrooms, every trim, tile joint and edge was turned over until the lines ran clean. The garden's irrigation was planned into the ground, so no hose ever crosses a path or a terrace. A laundry chute drops from the upper floor straight into the sorting room below, a small idea developed together with the architect that has become one of the most appreciated functions in the house. And the pantry, of all rooms, proved the hardest to resolve: a limited footprint that demanded countless hours, and was not truly finished until 2026.


The large glazed openings were a starting point, never an afterthought. The garden was not meant to begin outside the house. Nature should be present from the sofa and the dining table, and the shifting seasons allowed to become part of the home.

Diana outdoor dining table with a light stone top and dark metal frame, paired with Signe chairs in teak and textured light upholstery, set beneath a slatted pergola where strong sunlight creates graphic striped shadows across the table and terrace floor.

Signe chairs beneath the pergola, where the light draws its own pattern.

Signe chairs beneath the pergola, where the light draws its own pattern.

Diana outdoor dining table with a Sabbia Dekton top and black frame, styled with two white bowls in raking sunlight.

Diana dining table with a Sabbia Dekton top. Shown in detail.

Diana dining table with a Sabbia Dekton top. Shown in detail.

Diana outdoor dining table with six Signe chairs on a wooden deck in dappled sunlight

The dining terrace. Diana dekton table with Signe chairs in teak and oat cushion

The dining terrace. Diana dekton table with Signe chairs in teak and oat cushion

"We have worked hard to create different rooms in the garden, places for dinner, for rest and for spending time together. There should be a sense of harmony as you move between them."

- Linda & Aleks

- Linda & Aleks

Linda found by Crea through a friend who spoke warmly of the furniture, and fell for the design language at first sight, modern and pared back, yet warm and timeless. The garden is arranged as a series of rooms, one for dinners, one for rest, one for gathering, and the furniture was chosen to carry the architecture between them. The Diana table and Signe chairs hold the dining terrace. Bazo sun loungers follow the sun across the deck. The Arvid lounge collection gathers the evening.

Linda found by Crea through a friend who spoke warmly of the furniture, and fell for the design language at first sight, modern and pared back, yet warm and timeless. The garden is arranged as a series of rooms, one for dinners, one for rest, one for gathering, and the furniture was chosen to carry the architecture between them. The Diana table and Signe chairs hold the dining terrace. Bazo sun loungers follow the sun across the deck. The Arvid lounge collection gathers the evening.

For Linda and Aleks, a piece of furniture that will still stand in twenty years comes down to three things: quality, durability and timeless design. Materials that age beautifully in a Nordic climate. Cushions that can take a summer rain without being rescued. And a form you never tire of. Fewer pieces, chosen better, rather than replaced every five years.

For Linda and Aleks, a piece of furniture that will still stand in twenty years comes down to three things: quality, durability and timeless design. Materials that age beautifully in a Nordic climate. Cushions that can take a summer rain without being rescued. And a form you never tire of. Fewer pieces, chosen better, rather than replaced every five years.

Arvid lounge chair in black steel with light textured cushions, beside teak slat lounge tables in front of the villa

Arvid lounge chair in teak and stainless steel coated in black.

Arvid lounge chair in teak and stainless steel coated in black.

The Arvid lounge group with four chairs in teak and black steel around slatted teak tables, gathered beneath a cream parasol on the deck. The Arvid lounge group with four chairs in teak and black steel around slatted teak tables, gathered beneath a cream parasol on the deck.

The Arvid lounge group, gathered beneath the parasol.

The Arvid lounge group, gathered beneath the parasol.

Two Arvid lounge chairs seen from behind, teak slat backs and slim black steel frames casting long shadows across the deck. Two Arvid lounge chairs seen from behind, teak slat backs and slim black steel frames casting long shadows across the deck.

Backside of the Arvid lounge chair. Teak slats and slim steel frame.

Backside of the Arvid lounge chair. Teak slats and slim steel frame.

At home with Aleks & Linda J Lilliesköld.

Photographed by Marcus Kirchhoff for by Crea.

Architecture by Klas Sjöstrand.

At home with Aleks & Linda J Lilliesköld.

Photographed by Marcus Kirchhoff for by Crea.

Architecture by Klas Sjöstrand.

More like this